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Posted March 16, 2006 by publisher in Cuban Music

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By CARY DARLING | STAR-TELEGRAM POP CULTURE CRITIC

When Charlize Theron entered the packed room at the Austin Texas Convention Center Tuesday to take her seat on a South by Southwest panel about music documentaries, all eyes turned her way, and cameras flashed like heat lightning.

Perhaps the other panelists, struggling filmmakers, unknown except to their moms and closest friends, felt their hearts sink just a little bit.

They probably thought they’d walked into a segment of Entertainment Tonight where Mary Hart was definitely not interested in talking to them.

But after that first wave of celebrity worship, everyone, including Theron, stayed on the topic of making and marketing music documentaries.

No one asked Theron what she was wearing, and no one asked her what she thought of celebrity romances. The audience was more interested in the film she co-produced, East of Havana, about hip-hop performers in Cuba who skirt the law to perform the music they love.

The film had its world premiere Tuesday night at SXSW.

Theron, along with her co-producer, Juan Carlos Saizarbitoria, went into detail about how she got involved in the project and the difficulties faced in making a film about hip-hop in Cuba.

Theron came on board as co-producer because she is a friend of the film�s directors, Saizarbitoria and Emilia Menocal, both New Yorkers of Cuban descent who were raised in Miami.

The filmmakers faced problems on both sides of the cultural divide.

The U.S. government allows Americans to travel to Cuba only under limited circumstances (“America has a beautiful love affair with Cuba,” Theron said sarcastically). Once in Cuba, the filmmakers had to dodge Cuban authorities to get the footage they wanted. The Cuban government doesn’t approve of some of the messages of the Cuban hip-hop outfits.

“Our crew was six, sometimes less,” said Theron, noting that it was easier to go undetected with a small crew. “The police are always checking on [the performers]. They get hassled by the police for nothing.”

Theron said the film’s subjects were afraid of harassment from Cuban authorities.

“It took a long time to get them to be comfortable to say what they did on film,” she said.

While there was noticeable interest in the SXSW crowd for East of Havana, equal attention was paid to other members of the panel: Steven Cantor, co-director of LoudQUIETloud, a film about the reunion of the Pixies; Zach Niles and Banker White, directors of The Refugee All-Stars, about musicians from Sierra Leone discovered in a refugee camp; and Margaret Brown, director of Be Here to Love Me, a biography of the late singer-songwriter Townes Van Zandt.

When asked whether as filmmakers they tried to remain objective or became friends, fans or advocates for their subjects, everyone said that objectivity was never the goal. In fact, Niles and White have almost become managers and U.S. representatives of sorts for the Refugee All-Stars. Cantor makes no excuse for always being a huge Pixies fan.

“It’s hard for me to be a fly on the wall,” said the tall, lanky filmmaker. “I’m more like a giraffe.”

Find Cuban hip hop on Amazon

  1. Follow up post #1 added on March 19, 2006 by Ralph

    It seems to me that Charlize,should do more for her own fellows southafricans, and help them in many issues,that are in troubles there,and just leave the latino-american problems to us,as a proverb says Help you first
    and then you can help better the others.


  2. Follow up post #2 added on March 31, 2006 by Jauretsi

    Ralph, your comment on charlize is extremely confusing. That’s like saying Fidel was wrong for sending his doctors to other countries in need? What kind of a comment is that? We should not help humanity unless its within our own national borders?

    There is no rhyme or reason why some people feel compelled to make a difference, domestically or abroad. A fellow man is a fellow man. If you really want to be nit-picky, Charlize was actually helping my dream come true. I’m the Director of the film, so going back to my roots to document Cuba’s youth culture and giving them a mic for the world stage is technically a cuban helping a cuban. So she was helping 3 cuban-Americans (toss in my brother and co-director) make the film of their dreams.  Is Charlize within her jurisdiction now?

    Furthermore, if you’ve ever done any homework on Charlize, she has done loads of public work, traveling, and donating funds to serious causes in Africa, so she too has helped out her homeland as well. The difference is her life has been blessed with enough abundance to fund some extra dreams for us Cuban-exiles who want to help the the future of Cuba and its youth.

    Lets all just keep making a difference anywhere our hearts move us to….
    Jauretsi


  3. Follow up post #3 added on May 22, 2006 by Dulce

    Where can I see the film that Miss Theron help produced or it is for sale. Thanks


  4. Follow up post #4 added on February 02, 2007 by publisher with 3905 total posts

    We have been looking for theaters playing the movie but must be going out on limited release. All we have for the most current information is here.



    Cuba consulting services

  5. Follow up post #5 added on February 05, 2007 by Tony

    Kudos to Juan Carlos Saizarbitoria, Emilia Menocal and Charlize Theron for having the courage to produce a documentary about the brave Hip-hop artists in Cuba. As a fellow Cuban-exile and Hip-hop fan, I know all too well the great dangers they face for simply sharing their thoughts. As the producer of the nationally syndicated radio program “The Top 20 Latin-Urban Countdown” I would love to schedule time to interview a representative of this film in order to help you promote your work. I can be reached at the following email address: .(JavaScript must be enabled to view this email address).
    Wishing you much success,
    TH


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